BOOKS Your Future Self: A Journey to the Frontiers of Molecular Medicine - Hank Whittemore; November 1998; Thames & Hudson; ISBN: 0500542236 Electronic Art and Animation Catalog, (CG03: Computer Graphics) - ; 2003; ACM SIGGRAPH; Photography After Photography: Memory and Representation in the Digital Age - Stefan Iglhaut; April 1997; G & B Intl; ISBN: 9057011018 Art in Chicago: 1945-1995 - Lynne Warren; November 1996; Museum of Contemporary Art; ISBN: 0933856415 From Media to Metaphor: Art About AIDS - Robert Atkins, Independent Curator; June 1991; ; ISBN: 0916365343 Art Futura Cybermedia - Montxo Algora; January 1991; ; ISBN: 844048996X New Generations: Chicago - Elaine King; February 1990; Carnegie Mellon University Press; ISBN: 0887480373 ARTICLES Artists Team Up for the Future: Behind the Scenes of Making Art in the 21st Century - Ellen Sandor and Janine Fron; 2002; artn website; The word 7,730,000 - ; June 7, 2003; Grapevine Section, New Scientist, Vol. 178, Issue 2398; page 49 Model Dealer - Harry Schwalb; 1998; ARTnews, Summer; “The Future of Video Games As Art: On the Art of Playing with Shadows,” - Ellen Sandor & Janine Fron; October 2001; Playing by the Rules: The Cultural Policy Challenges of Video Games, The University of Chicago Cultural Policy Center; "Collaborative Visualization: New Advances in Documenting Virtual Reality with IGrams" - Sandor, E., Fron, J., Greiber. K., Orellana, F., and Meyers, S., (art)n; Plepys, D., Dolinsky, M., and Dastagir Ali, M.; 1999; Electronic Visualization Laboratory University of Illinois at Chicago, IEEE Information Visualization; "PHSColograms and Rotated PHSColograms" - Ellen Sandor, Janine Fron, & Stephan Meyers; July/August 1995; Computers & Graphics, Volume 19, Number 4; “Super-Banalism and the Innocent Salesman” - David Bowie; Spring 1998; Modern Painters; “Plugged-in theater of the nerd” - Rita Street; August 7-13, 1995; Variety; “Charles Csuri is an "old Master" in a new medium” - Paul Trachtman; February 1995; Smithsonian; Scientific Visualization: Collaborating To Predict The Future - Donna Cox; Winter 1990; EDUCOM review, pp.36-42; “SCI-ART: Post-Photography, Documenting Our Genetic Possibilities” - Mina Cheon; Spring 2003; NY Arts Magazine; “Genome art reveals the challenges of the DNA era" - Toni Marques; March 2, 2003; Globo; "Collective Visions" - Debbie Hagen; Summer 2000; Digital Fine Art Magazine; “The Art and Science of Collaborative Visualization” - Ellen Sandor & Janine Fron; September 1999; Silicon Graphics World; "Spatial Effects: Ed Paschke + (art)n = the future" - Abigail Foerstner; March 1998; Northshore; "A Light in the Darkness" - Eve Zibart; February 8, 1998; Washington Post; "design: The Many Faces of Memory" - Robin Cembalest; December 1997; ARTnews; "Where the Wild Things Were" - Richard Vine; May 1997; Art in America,; “PHSColograms” - Kim Brady; February 1997; PEI-Photo Electronic Imaging; "A Different Type of Museum" - Wendy Maurer; Summer 1996; SGI Iris Universe; "Company Makes Hard Copy Record of Virtual Environments" - Ellen Sandor, Janine Fron, & Stephan Meyers; November 28, 1994; Advance, pp. 12-13; "PHSColograms: The Photography of Virtual Reality" - Ellen Sandor, Janine Fron, & Stephan Meyers; Spring 1994; Virtual Reality Systems, pp. 64-67; "(art)n at Feature" - Ken Johnson; May 1991; Art in America, pp.172-173; "In Search of the Miracle Hologram" - Arielle Emmett; February 1991; Computer Graphics World, pp. 44-52, and cover; "Inside views" - Foerstner, Abigail; October 21, 1990; The Chicago Tribune Magazine, pp. 32-34; "Robert Mapplethorpe ACQUITTE" - Judson Rosebush; 1990; Pixel, No 9; "Artists Team Up for the Future" - Michel Segard; January 1984; New Art Examiner; "(Free Markets)n" - Michel Segard; 1983; Nit &Wit: Chicago's Arts Magazine, pp. 33-36; "Bold Statements" - Renee LeWinter & Cynthia Baron; August 1990; Computer Graphics World, pp. 74-78; Electronic Art and Animation Catalog - ; 2003; ACM SIGGRAPH; Electronic Art and Animation Catalog, (Art Gallery, N-Space), - ; 2001; ACM SIGGRAPH; ISBN: 1581134053 "Computer Art in Context: ACM SIGGRAPH '89 Art Show" - ; 1989; Leonardo, Supplemental issue; “The Art of Science: Scientists and Artists explore aesthetics of scientific data and the cultural implications of future research” - ; Spring 1998; Santa Barbara Museum of Art; Microsoft Bookshelf: Pioneers of Photography - ; 1998; ; Exposición Universal Sevilla - ; 1992; Pabellón de España (Spanish Pavilion, World’s Fair); Computer and Art, idmi - ; Fall 1991; ; Lugano, Switzerland "Strange Attractors: Signs of Chaos" - ; Fall 1989; The New Museum of Contemporary Art; "Information as Ornament" - ; Summer 1988; Feature; "Photographic Truth" - ; Winter 1988; The Bruce Museum;