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VIRTUAL PORTRAITS

Virtual portraits produced in collaboration with Ed Paschke, Karl Wirsum and Gero Gries appear to be whimsical at first glance, but take on another form of deconstructed realities. Paschke’s Self-Portrait and Gero Gries’s Sally C are examples of early virtual portraits, sculpted from scanned imagery of real subjects, while Wirsum’s characters are entirely imagined, computer generated characters. The selected virtual portraits recall a Duchampian view of the world that invites the viewer to be more present, in which our world would otherwise become dystopian without our conscious awareness.  

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